Archive for August, 2007

Four-Track Cassette Looping Part 3.

August 26, 2007

Actually I’m not quite sure what part this is, but we will continue on from three from now on, as I’m sure I’ll continue to have posts about this subject.

Fostex Four track

While lamenting the rather wimpy volume control on one of my varisped tape recorders and wishing I had another like my Marantz Field Recorder, with it’s many controls and mic input, I remembered my Fostex X-18. I hadn’t played with the Fostex much since I figured it would not end up making a great live looping tool, but it did have some characteristics that I thought would suit my work with latralmagog.

After setting it up and getting re-acclaimated to it’s controls, I began trying to figure out exactly how fast I could switch from record to play, thinking if I could get it pretty tight it might work in a live setting. So I began, and I was getting pretty good at fast switching, and I started to feel like I was discovering something that could revolutionize my live setup, especially since it works great with contact mics. Then I discovered something so amazingly logical and useful I feel like an idiot even listing it as a discovery.

When the machine is in play mode, all you have to do is push the record button down too.

Duh!

And to get out of record mode, you just hold down play and hit stop. This way only the record button pops back up.

Okay, so what have we learned here? READ YOUR FRICKIN MANUAL!!!!

Seriously though, I should have read that thing cover to cover, but hey, better late than never. So anyhow, now I have the ability to gradually build up loops without ever stopping the tape, and since four-tracks have those nice mixing capabilities, I can fine tune levels and bring parts in and out at will, something none of the expensive digital loopers will let you do. Plus it’s got that great shitty chewed up tape haze that makes everything sound like a transmission from another planet.

So of course I had to record a few loops using this method, and here they are…

Enjoy!

- Phin Feedback, Bowing, and Plucking
- Zither Knocks, Plucks, and Feedback
- Flute, Horn, Silver Platter, and Bells

I’m not dead (I’m just moving extremely slow)

August 23, 2007

Some of you may have noticed I have not been posting with the usual frequency. I appologize and by no means have I abandoned this blog. I have however taken a big hit to my available time by re-entering the workforce. While this new development certainly limits my time for doing more interesting things, such is life and I will as I have for much of my past, attempt to work around it.

Personally, I like Keith Rowe’s perspective on the situation. The following is an excerpt from a talk he gave at the Slought Foundation in philadelphia a little while back:

“I’ve always had a job… like always. From the time I left the art school… Actually, I really enjoyed that… The idea of being an amateur… You could have a kind of obscurity. If there was kind of a slogan of the art school i went to, it was, the definition of success is to be middle-aged and obscure.”

Of course, this got quite a laugh, but I think the re-definition of success he is portraying here is pretty inspirational, and I find it aligns very well with my current attitudes toward “art” or “craft” as a thing of and for common people.

One of the non job related plusses to having a job located in the city, is the variety of interesting sounds one encounters. My first week, I has riding my bike home when i passed a truck with some huge compressor in the back making a huge sounding drone as it ran, that was just loaded with dancing overtones. I could have listened to that for quite a long time. I was kicking myself for not having a minidisc recorder with me. It would have made a great piece to post here. Suffice to say that I now have the MD with me at all times, and hopefully I will be happening upon some other sound of note soon enough.

This leads me to another unfortunate reason why I have not been posting as much of late. Latralmagog. With weekly recording sessions and a new motivation to crank out new sound making devices, it has become quite difficult to find time to post. And I certainly don’t want to turn this into a latralmablog (har!) by only ever posting our recording sessions. Of course, my increased instrument production rate has provided me with a bunch of new sounds that could be posted, but I’m so behind on documenting things I’ll never catch up. Sigh… jobs. I always wonder if there could be a way I could just do what I do and make money for whatever value I am able to provide people… maybe some time in the distant (distant) future.

That’s enough ho-hum for now, on to things exciting. AL and I this past week both played our first show, and released our first official packaged recording. The show went well all things considered, but I found that it was much more difficult to improvise in my normal mode while being watched by strangers. I felt very self conscious at first and felt an odd pressure to produce some sound that I felt would be acceptable to the perceived tastes of my audience, though I resisted the temptation. I did however fall into a sort of safe re-playing of ideas and techniques that I had previously deployed.

As the show went on however, my confidence grew and I ended up playing much more in my usual way, listening to AL and attempting to compliment what he was putting out there. I felt the set improved drastically from beginning to close and I ended quite happy and reasonably psyched. I also realized that if we are going to play out more often, I need to develop a better live set up. I ended up doing too much moving mics around and not enough playing. That being said though, I think our music is much better suited to small enclosed spaces and if we performed in such a venue, amplification would be far less a concern.

I think the CDR we did came out great. I planned the packaging so we could do all the printing ourselves. The cover ended up being drilled in such a way as to create a letterform that would serve as the focal point of the cover, but also as a stencil to decorate the (otherwise blank) discs. The stenciling helped create color washes on the cover that were then silk screened over in black ink. The type and lines were all cut by hand into freezer paper which served as a silkscreen stencil (thanks art school). We basically banged out all the printing and spraying in an evening. The music however was a nightmare. For some reason when I brought it up to peak level in Audacity it clipped when playing in iTunes?!?!? I can’t figure out why this would be and especially not when it seems to just be this session. Whatever, we got over it, albiet after two days of hell. Mental note… Learn something about mastering (yeah, right). We used the most recent session, which was really cool as it was ready for sale one week after it was recorded. How’s that for a turnaround time? We even sold a couple which is pretty cool.

Here’s the CDR design:


If anybody wants one, they are available on our myspace page:
http://www.myspace.com/latralmagog Send us a friend request while you’re at it!


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