Actually I’m not quite sure what part this is, but we will continue on from three from now on, as I’m sure I’ll continue to have posts about this subject.
While lamenting the rather wimpy volume control on one of my varisped tape recorders and wishing I had another like my Marantz Field Recorder, with it’s many controls and mic input, I remembered my Fostex X-18. I hadn’t played with the Fostex much since I figured it would not end up making a great live looping tool, but it did have some characteristics that I thought would suit my work with latralmagog.
After setting it up and getting re-acclaimated to it’s controls, I began trying to figure out exactly how fast I could switch from record to play, thinking if I could get it pretty tight it might work in a live setting. So I began, and I was getting pretty good at fast switching, and I started to feel like I was discovering something that could revolutionize my live setup, especially since it works great with contact mics. Then I discovered something so amazingly logical and useful I feel like an idiot even listing it as a discovery.
When the machine is in play mode, all you have to do is push the record button down too.
And to get out of record mode, you just hold down play and hit stop. This way only the record button pops back up.
Okay, so what have we learned here? READ YOUR FRICKIN MANUAL!!!!
Seriously though, I should have read that thing cover to cover, but hey, better late than never. So anyhow, now I have the ability to gradually build up loops without ever stopping the tape, and since four-tracks have those nice mixing capabilities, I can fine tune levels and bring parts in and out at will, something none of the expensive digital loopers will let you do. Plus it’s got that great shitty chewed up tape haze that makes everything sound like a transmission from another planet.
So of course I had to record a few loops using this method, and here they are…