Posts Tagged ‘cigar box guitar’

The improvisation shall continue.

June 22, 2007

The recording setup

Based on the OBVIOUS (haha) success of the first improv sesh, Al and I have decided to continue our explorations together on a somewhat weekly basis. And of course as is my custom, it will all be released here for you to listen to, should you be of the sort that actually listens to mp3s on blogs. There is also talk of “releasing” (if you thought- like a dove?- you are correct) the second one in some kind of physical format with “art” and whatnot, so if that is the sort of thing that interests you, let me know. Otherwise you can just download it below and make your own “art”.

I have to say that this thing we have been doing together is really a revelation for me. Especially since after my last band split, I had no interest in playing with anyone for a long time. (this had nothing to do with the band really, just bands in general) In the wake of that I did a lot of different things on my own. As this blog is evidence, I explored a lot. In many ways there are certain seeming paradoxes about the sounds and ideas that resonate with me that I could never figure out. I like synths and circuit-bending, but I also like ancient and primitive instruments… I like things most people would think are weird (the shop-girl at the local hardware store gave me a hard time the other day for doing “crafts” for fun! what?) but i have no interest in “weirdness”… I’m pretty much attracted to anything that makes a noise, but until recently I wasn’t sure for what. Somehow the improvising I have been doing lately has made it all sensical. Somehow everything I thought was out of place, now seems to fit. I like it.

In other news, I recently fixed my busted bell piano, so that will factor into this weeks jam, I circuit-bent one of Al’s toys (I’ll post samples at some point) and I’m sure that will find it’s way in, and I’m almost done building a bowed lamellophone out of a coconut I bought a few weeks ago (sound samples and photos soon). I will also start work on a pre-prepared “guitar” (a bunch of metal stuff and a pickup) and a hurdy-gurdy style drone box… more on those soon.

And now the last session… Implements used in this recording: whistle, nyatiti, bat repeller, boss rv-2, clava, a curled xylophone, frog childrens toy, flute, mini thumb piano, loop station, air organ, ocarina, plastic saxophone, chimes, bells, cymbals, chainring gong, silver platter, spring reverb unit, cigar box guitar, tape machines, looping cassettes, tongue drum, shakers, chihuahua, appalachian mouth bow, harmonica, toy accordion, and probably more stuff i am forgetting now.

Equipped for gapless playback… enjoy!

– Part 1
– Part 2
– Part 3
– Part 4
– Part 5
– Part 6


Cigar box raga

May 3, 2007

Obviously drone has been a big part of my life recently. Drone as a side dish has been a favorite for a long while, but recently, I have been really into drone as a main course. Its something I know a lot of people don’t quite get. Even some of the most open minded listeners I know can’t take Tony Conrad for more than a few minutes, let alone listen to something like “The Tamburas of Pandit Pran Nath” by La Monte Young, even if only for a small part of it’s full hours length.

There was a point in time when I thought that if there was only one note playing, nothing was happening, but as I pursued an understanding of music and acoustics, I came to find out there was a whole world of things that could happen. Harmonics or overtones specifically are a good bit of what makes drone interesting. Humans are not robots, so as we play we never exactly play the same “way” twice. These little mistakes change the way the overtones resonate and lend subtle shifts to the stillness of a sustained tone. This is one of the things that has really attracted me to drone. While within the stillness of the tone, you are focussed, on all of these smaller changes that would be very difficult to perceive if there were more than one fundamental tone being played. In a way, it’s kind of like zooming way in on a picture and seeing a whole new level of detail.

A week or so ago, I was asked by my brother to make some drones for him to incorporate into one of his band’s songs. I had been mostly bowing my guitar at that point, but for some reason I decided to try bowing on a cigar box guitar that I had built. The sound was really great. Due to the imperfect nature of a cigar box as a resonator the overtone relationships are very different than a guitar, and for some reason it has a bit of a reedier tone.

My Cigar Box Guitar

After recording some single string drones for my brother I decided to tune the CBG to an open “D” chord and try bowing all four strings together. It sounded really great. The subtle differences in bow placement and velocity changed the sound a lot. For a drone it was very maleable. So I recorded about 12min of bowing, moving the bow from as low as I could go on the neck. all the way up to the nut, fret by fret. The result is somewhat Tambura-like. I think this has something to do with the shape of the cigar box and which overtones it reinforces, and the fact that the nut is a carved piece of soft stone.

I think the end result is very listenable. The changes in the tonal quality and timbre are pretty dramatic throughout, so instead of it seeming like you are listening to one unchanging thing, instead, you are listening to one fundamental thing that takes different forms as it progresses. I like it quite a lot.

I put it on the other day as I was just working on the computer and it struck me that it’d be a good thing to try and play slide guitar along with. Since my CBG was already in open “D” I picked it up and started fooling about. I had so much fun I made a note to record it when I could. I got around to it yesterday. I was going to do a few passes and edit together the best parts, but once I had two and listened to them playing at once, I liked it too much to edit. Instead of making it like a raga with a single main melodic voice, the two tracks play against and off eachother in interesting ways. There are some real cool moments where you could swear it was two people jamming together, but it’s all coincidental.

I find this end result really peaceful and meditative. In fact I actually had a hard time staying awake while working on it. Always a good sign. I think the world needs more music to fall asleep to anyway.

Here are the tracks, both the drone by itself and the fake raga one. I hope you enjoy them.

– Cigar Box Drone
– Cigar Box Raga