Posts Tagged ‘non-western tunings’

Random Ritual. Prepared Guitar and Voices.

January 5, 2008

I got bored of having my guitars in standard tuning a while back, and started to get interested in learning to finger-pick. Mostly because I finally turned an ear to John Fahey after ignoring him for a long time (for no reason at all, except maybe hearing his name too much) and got my head ripped clean off by the sheer perfection of the musical world this man was able to create. Not that I wanted to go out and be another Jack Rose or Ben Chasny (though, they are great) I just thought if most of my guitar playing is going to be done alone, mostly amusing myself, I might as well learn how to play so it sounds like it’s 3 people.

Anyhow, so that never really happened as it take some more of what I have not, (no, not talent) time. Though I still fully intend to learn to at least get by playing finger-style (and about a million other things). So what I ended up with was a guitar tuned to one of Fahey’s standards, that was slowly but surely slipping out of tune. For some reason though, it seemed to slip IN tune… just a different sound or something. One day a picked it up and sort of tuned it into tolerability, and it had a sort of koto-like sound. The for some reason of other, I thought it’d kind of sound more like a koto if the strings were muted some. So I crammed some paper between the strings near the nut like so:

prepared guitar

As soon as I began to play it, i felt like i was on to something. It has an interesting way of making what ever strings are open sound like an accompanying instrument and whatever is being fretted, some kind of lead. So I’ve been playing it like this for months now, whenever my computer is loading a big file (ha ha) and I’ve really grown to love it. I have no idea what the tuning is b/c it’s so far from normal tuning, even with a tuner I’m going to just get a bunch of pitches it will be nearly impossible to replicate again. (Maybe someone who has a good ear could tell me more) SO I’m basically keeping it like this at least for now.

I’ve been wanting to post about this tuning for a while, but I wanted you all to be able to hear it. Problem was, I just wasn’t getting around to recording it. So today I figured I’d do it quick and dirty. This is recorded through my computer mic (that’s what that hard drive crunch is in the background). It’s a track of guitar, improvised and unedited and a track of vocals done the same, but then delayed and reversed to make the third track. It’s pretty crunchy sounding, but I kind of like the ambience the noise seems to create. Enjoy!

 – Random Ritual

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Chchchchchanges…

May 20, 2007

I can’t believe it’s been so long since my last post. Trying to do this blog along with all of life’s other facets can get difficult sometimes. A million other things come up, busy-ness overtakes creativity, etc. etc. The worst is when I have time to post, but am just to psychologically drained.

Recently my work had been doing this to me. When I was there, I did next to nothing, (not that there’s anything to do) when I got home I felt like I had a labotomy. I was worried my employer was bleeding me of work so I could be fired. I was right. My department was a bit of an experiment within the greater company and due to some of the worst mismanagement I have ever seen, it failed. So they fired us all.

This fact has been bearing down on me recently. Now I am out of work and I need to find a job again, so every bit of free time I have is either me doing work to that end, or procrastinating. This has all but killed my drive to make music. I have been trying to figure out how to make space for creativity in this new landscape, but it has been difficult.

However, while i haven’t been experimenting much lately, I have been playing my makeshift phin a lot and really enjoying that. Right now it is in a tuning very similar to the tuning that was used in the sublime frequencies video that inspired it’s creation. I have been bowing it some, but also playing it with a pick. I have continued to grow in my appreciation of it on a whole. I love how simple it is, and the resonance of the tin, especially when bowing, is really nice.

Here’s a clip of a little melody I have been fooling around with:

– Phin Picking

And here’s is some random feedback noise from the tape I recorded this on. I have no idea where this come from, but it sounds really cool.

– Feedback Noise

Phin in a haystack

April 25, 2007

Yes, It’s been a while since my last post, I know. But good things are in the works, I have just been waiting to meet a benchmark good enough to post. I don’t really know if I have, but I decided that since this blog isn’t really about the idea of “finished” music, but about experimenting and learning, I’d go ahead and post my most recent project.

I’ve never been a huge fan of VICE magazine, for reasons immaterial to this post, but I recently found their new video site and decided to give it a look anyhow, as I am really interested in the possibilities inherent in internet video. While a good portion of it is typically boring, I was pretty much overjoyed to see the inclusion of a Sublime Frequencies channel. I have admired the fine fellows who put together the always lovely SF compilations and even more so the dynamic individuals they document, so the chance to see these individuals playing this wonderful music is truly singular.

I checked back the other day to see if any new videos had been added and discovered the focus of my new obsession. In the video “Thai Ghost Festival, Part 1” The focal point of much of the video is an amazing electric “guitar” player improvising a molam-meets-hendrix jam over a group drumming and bamboo xylophone (Pong-Lang) backbone. The whole image, vibe and content of this video is truly awesome. The sound of the “guitar” was just eastern enough and just snarly enough to form a totally new sound. I wanted it. I had been thinking about another instrument building project, especially a microtonal one, and for me, this was it.

You may be wondering to yourself, why I keep putting the word “guitar” in parentheses… Well, in Thailand it seems they use the word “guitar” to reference any instrument that resembles and plays in the same range as a western guitar. However, the instrument being played was very un-guitar-like. It had only three strings (on each of it’s two necks! Rock!), and a fret placement so odd, it almost looked random.

Image capture of the phin player from the Sublime Frequencies video

After a some googling, I was able to find out that the instrument is question is called a “phin” (piin, pin). It seems from what I can gather that the phin is the main guitar-like instrument of modern Thai culture, although the western guitar has also become very popular.

Earlier in the week I had, out of the desire to build something, begun working on a 2 stringed instrument, built out of a mop handle and an old cookie tin. Initially this was going to be fretted in dulcimer tuning, even though the idea bored me some. I wanted to explore other tunings, but I didn’t know how. Whenever I searched I got a ton of sites using a language I knew was based on english, but that I didn’t understand, and a bevy of math, with which I am inherently completely worthless. Upon seeing the phin tho, the idea changed. “What if I had an instrument I could put in any tuning?”, I thought. The idea came to me, to attach movable frets to this new instrument, so I could tune it to any interesting method that I found.

As soon as I got a chance I banged my instrument together. It came together pretty quickly which was good, and I was really pleased with the overall banjo-like sound. This version is a sort of prototype, so there are things i’d like to change, but all of that can be done fairly easily in the future. I pretty much just wanted to get this thing playable to see whether or not it was worth my time.

The next problem was of course, tuning it, and this is where the story gets a little complicated. I knew i could figure out phin tuning if I could just find a proper image. Which I did, but what I realized soon after is that unlike instruments in the west, the tunings of instruments in many other cultures is widely open ot interpretation. So, while I had my image, there was no guarantee it was going to come out sounding at all like what I had heard in the video. But I went for it anyway.

In order to get the fretting in the image I found on to my instrument, I made use of some of the tools of my actual trade, graphic design. I brought the image in to Adobe Illusrator and mapped the frets, nut and bridge with lines made with Illustrators “pen” tool. You can see the lines in the image below. This made scalable markings that would not distort upon stretching to the scale of my instrument. I measured my instrument from face of bridge to face of nut, and entered that measurement into Illustrator and stretched my newly copied scale to match. I then printed out my newly drawn fret position template, laid it across the neck of the instrument and began positioning frets.

fret mapping in illustrator
fret mapping in illustrator (close up)

I had looked into a couple classic methods of making movable frets, but found all of them too complicated for now or lacking in some way. I decided to experiment instead with small “zip-ties”. The ones I had laying around were about 2mm thick, and a nice green to match my tin (total coincedence I swear). They work GREAT! I put them on pretty tight and they just stretched out enough after a day to be easily movable, but stay put when you need them to. The only down side is the cut ends are sharp (though they could be filed down) and the ties are 1mm thick all the way around which makes playing a little difficult, but I think with practice and a shoulder strap, I could play around those obstacles. My future plan though, is to build a proper 3 string phin, but I think I still want to have movable frets. In that case, I think I will try the sitar method, which uses a bar for a fret, that is notched towards the ends so that it can be tied on. I think this would look nicer and also make for a nicer tone.

The initial tuning was a total success. Aside from a couple minor issues, it played wonderfully, and the tuning sounded great. The only problem is, it did not sound like the tuning in the video. This is where things get kind of tricky. Due to the fact that these instruments are not built to a certain set specifications, but instead to the builders own ear, the chance that the phin I used to build the scale, is tuned the same as the phin in the video, is more than slim. Now you may be asking yourself why I care, since I can’t play this instrument in combination with any of the others I own anyway. Well, for one, I love to figure things like this out so the search is an end in itself. Secondly, I just LOVE the way the phin in the video sounds and I want to give what Ive got to try and get it.

Since I started this, I have tried about 5 or so different tunings, all from different images I have found. I still can’t find one that sounds like the one in the video. I may actually attempt to pull a fret chart from the video, but this is complicated for a number of reasons. I love the “The Tihn”, as I have jokingly called it and I’m sure it won’t be staying in any one tuning for very long. I feel a weird sense of accomplishment having built it, even though it was the simplest thing. Maybe it’s just the excitement of having such a flexible instrument at my disposal.

Thoughts for the future (before I wrap this thing up):
– a pickup
– a small soundhole?
– strap
– black paint for the neck?

If I happen to find this elusive tuning, I will post it here, but for now, check out these samples of my initial tuning:

All frets played on the high string, going from lowest to highest
A little jam

BONUS: A rip of the sound from the Sublime Frequencies video
BONUS: Another nice little phin piece I found

By the by, if anyone can read thai and wants to translate this page for me, I’d love you forever.

Here’s a bunch more cool phin images:

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