(Please excuse this rambling mess, I am by no means a “writer”)
Thus far, writing this blog has been a great experience. I had no idea what to expect when I started. Ok, so maybe that isn’t true… I think I expected more comments (probably a lot of negative ones 🙂 ) and I still hope for more and get excited whenever I get one. Other than that, I didn’t really know what was supposed to happen.
I had a rough idea of what I was going to do of course. I have been laboring in soundmaking in my basement or bedroom for years. I was tired of not really having anything to show for it. I knew no label would put this stuff out and ask someone to pay for it (even though a lot do), and I wasn’t even sure that that is what I wanted to happen with it.
The problem of presentation
It seems to me, that one of the hurdles to presenting truely experimental music (as in, music that is actually an experiment) is the presentation itself. As a person who has gotten giddy over many noises and attempted to share them with (usually) much straighter folk, I have come up on this many times.
A good friend of mine whom I used to live with told me a story once, about a guy he used to live in a dorm with (if i remember correctly). This guy, he said, used to play the most horrible music, so loud all the time that it drove him nuts. Intrigued about this music, I probed him for a better description than “horrible”. What he described could have been any of several musics, but sounded most likely to be some form of dark ambient/darkwave. The interesting thing to me, was how his description had the opposite of the intended effect on me. Instead of saying, yeah, that sounds terrible, what an ass, I started probing him for more info. But that’s not the point of the story really. The point is that that same friend a year or two later became enthralled with circuit bending.
I got into circuit bending by discovering Reed Ghazala’s site. I was looking for a Casio SK-1 at the time to replace the one I had when I was a child, and quickly began ammassing toys and destroying them. My roommate instantly got it. This blew my mind. I had him pegged as a person who liked conventional music and nothing more, and for all intents and purposes, he was. However, for some reason when presented with noise as an exploratory, adventurous step into the unknown, he loved it. He looked at every toy as a lottery ticket, and brought home almost as many as I did, looking to hit that jackpot of pure sound. That was as far as it went for him though. He wasn’t interested in making music that anyone would listen to out of these sounds, he was interested in making a novelty sound exploration device and leaving it at that.
What is so interesting to me about this friend was his willingness to accept something that he previously hated, because of how it was presented to him.
The blog as a distribution model
The above story is something I have thought about a lot. Sometimes I think maybe he was right, maybe sound loses something (like anyones attention) when it becomes “music”. Maybe presenting something as “music” like “art” is a pretensious assertion. Maybe the only end to what I do should be my own pleasure. Maybe… but I can’t be satisfied with that. If for not more complex reason, than I get psyched and want to share! Like a little kid who just got a new toy.
This is why I started a blog. It alows me to present anything is any way that I want. It allows me to experiment with different forms of presentation. For example, I usually downplay my “music”. I don’t give it a name, or much ado at all. Partly because I can’t handle the metaphysical burden that comes with a name, partly because I’m shy about it. This hasn’t really worked. Sometimes I think more people would listen to the music, if I gave myself a name like “Liquid Banana Helmet” or “Oranguitan Rape Moustache” and blathered about how killer my tracks were with each post (I would never do that in a million years however). What has seemed to work is the album like format and cover art for “Jazz 2 Ways”. I could go on waxing intellectual about why I think that had that effect, but that’s not the point, the point, is that I can present however I want.
This (I think) allows me to lower both the defenses of you, the readers and myself. You don’t feel (hopefully) like you have to LIKE what you hear and considder it “music”, and I don’t feel like I have to put it in a “musical” format. Then maybe later as I have indoctrinated you (hahahaha) with my fun sound samplings, you will start to listen more to what I DO consider to be my music, HOPEFULLY with an open mind. Or maybe, you’ll hate it and think I’m a pretensious quack. The point is, that it is out there in a form that is less burdened with ideology than a CD or record, and hopefully this will help change the way you approach the sound on this site.
I wasn’t expecting a sense of accomplishment
What I didn’t anticipate about writing a blog, was how good it was going to feel to see all the information/content I have produced. This blog as a documentary of my sound land is really exciting. I do feel like I have something to show for my work now, other than tons of instruments in the basement, and sound files on the computer. I have gotten the opportunity to put my thoughts to my sounds and file them away to be found and re-reflected on later and that is not something I take for granted.
All this is to say that this blog, though insignificant in the blogoshere, is a success to me, because it allows me to not only share, but to look back and see what I have done in a different light. I guess that is all quite obvious to most people, I guess I just underestimated the impact it would have on me.
And now, I am going to do the thing that blogs allow, that I love so much… I’m going to post something that will probably hurt your ears. 🙂 (watch your volume!) The fact that I can do this, never ceases to amaze me, and some day in the future when free information has been banned, I will look back at this, chuckle and then wipe away a tear. Enjoy!
– Noisy Button
(You know those toys that you squeeze and they play a song? This is what happens when you add one carefully placed resistor to that circuit.)
Wonders of the cassette tape loop, part 3
January 20, 2007A couple of weekends ago, my wife and I had the rare opportunity to spend a saturday together (she generally works saturdays). Of course it had been a while since we had been to one of our favorite thrift shops “The 2nd Mile Center” and eaten at one of our favorite middle easten eateries “SAADS” so we decided west philly was the destination.
2nd Mile is often a dead end, but sometimes looking around is really the fun part. This particular time went like most others, in that I didn’t really find anything as I made my usual rounds. Until… I was about to walk out, when I noticed a familiar shape. The shape of a cassette four track!
I owned a tascam for a while, but never really used it due to it’s overwhelming complexity. This one however, was one of the small low-end Fostex models. And, for $20, it was worth it even if all I ended up with was parts.
It had been a while, but I knew I had read about using these machines with loops. So I searched around a bit and finally found what I was looking for. The gist of it, is that you have a loop cassette and four tracks, that means, four loops running at once. And, you can punch in, so you can build loops on the fly. With the fostex, it’s even better, because one flick of a switch routes whatever input you are going in to, to whatever track you want to record to. So it could even work as a live performance tool.
I just got around to playing with this thing today and I can see why someone brought it to the thrift store. The pots short out, the jacks short out and it has some other issues as well. For me though, none of that matters as I’m not going to be using it to record my new pop punk combo.
So I sat down with a freshly spliced loop cassette in hand and started fooling around.
I immediately saw potential in this set up. The tracking sucks, which adds great wow and flutter effects. It overdrives easily too. The first bit of sound i put in came screeching back sounding like something out of a horror scene in a sci-fi movie. This thing mutates everything you put into it in wonderful ways.
What I find even more interesting about this set up is that I never know where I am in the loop, so when I record, I can only really control what notes I play. Where they end up being placed is pretty much up to the machine. This of course excites me, given my interest in generative music and chance opperations.
One of the instruments I fed into this system was a circuit-bent animal keyboard thing. If you slow it down really far, the kids songs it usually plays become unrecognizable and instead it seems to be playing a random sequence of beautiful tones. This already chance based music became even more interesting when randomly edited together by the four track.
After a while the music sort of took on a life of it’s own. I think it came out beautifully, especially for the first try. I can assure you there will be much more of this to come. Especially once I rig up a punch in pedal. Enjoy!
– Star Platform Foothold
Tags:circuit bending, experimental music, music commentary, my music, sound experiments
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